‘SuperCollider Shape’ a minimal audiovisual sculpture
Sound and imagined ink exploring Supercollider generative sound algorithms. The author is grateful to Alberto de Campo, Julian Rohrhuber and James McCartney for the inspiration on some Supercollider algorithms.
Major noise sounds were recorded in a custom made software, developed in Processing, using an EEG interface, doing brain signal analytics, expect the piano, witch was recorded in a real piano. The processing program was connected to Super Collider via OSC protocol.